Cinéma des cinéastes, Paris, 17th (Clichy)

Address: 7 Avenue de Clichy
Paris 75017 France
+33 (0)1 53 42 40 20
Metro: Place de Clichy, line
Current programme available by clicking here.
Here I saw the animation The Boy Who Wanted to be a Bear.

The Filmmakers Cinema (Cinéma des cinéastes) is located in Clichy, definitely off the beaten tourist track — if you want to visit, you are most likely to need to plan a special trip to here. But it is well worth it. You can combine with a visit to Studio 28, another historical theatre, as well as to locations such as Montmartre, Moulin Rouge, la Cigalle, and Place Pigale - all in the vicinity.

The cinema is located in a building which was formerly a cabaret where famous stars like Maurice Chevalier is known to have performed. It was then transformed into a popular cinema in the 1930s under the name of Les Mirages (see for more details Xavier Delamare’s account on the building’s history). I have heard rumors that the building’s metal skeleton is to be be credited to Gustave Eiffel, but have not been able to confirm.

This is a key cinema for the cinephile: a place where a selection of the films that screened at the Quinzaine des realisateurs descends as soon as Cannes closes, and where one can get the chance to meet not only French but also many leading contemporary cineastes from all over the world.

An organisation called Société civile des auteurs réalisateurs producteurs (ARP), led by Claude Berri, undertook it in 1987 to bring to life a long-standing dream of many French filmmakers by establishing a cinema which would adhere to the principles of diversity and independence. Formerly owned by Pathé, the building underwent a substantial refurbishment in the 1990s, and the new Cinéma des cinéastes opened its doors to the public in 1996.

Unlike may of the other cinemas that prefer to keep older architectural features in the interior, this one has got thoroughly modern looks: exposed brick and concrete, metal pillars and staircases. There are currently three theatres, providing accommodation for 315, 93 and 71 viewers respectively (see the Evene site and the excellent overview by Mathieu Menossi for more details). Besides Berry, directors like Claude Lelouch, Claude Miller, Jean-Jacques Beinex, and others are involved in running the organization that governs the cinema. It is often the case that some of the programming is done by well-known cineastes.

The programming is of really high quality, always extremely interesting and always really diverse: screenings of rare films, previews, retrospectives, documentaries, and special programmes including discussions and talks, as well as meetings with filmmakers. The cinema regularly showcases surveys of various national or regional cinemas (e.g. Greece, Mexico, Eastern Europe) and hosts short festivals on exciting topics such as ‘debuting in cult cinema.’

The cinema’s bistro, Le Bar à Vins du Cinéma des Cinéastes, is hidden away and thought of as one of the Parisian cinephiles’ best kept secrets. It cannot be entered directly from the street but can only be reached by climbing the staircase from within the cinema’s foyer (no need to buy tickets for a film!). Located inconspicuously on the upper floor, it overlooks the busy street downstairs and provides a minimalist modernist decor. Some occasional musical events are organized here (mostly jazz), and, of course, many French filmmakers have it as a preferred hang out (see a praising review of the bar at Paris Traveler).

© Dina Iordanova
16 June 2008

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